Sometimes images naturally lend themselves to high contrast, others don’t. In this I’ve shown what happens when you go too far. The starting monochrome conversion was inevitably quite flat, muddy looking even although given it was a grey overcast day on a muddy wasteland that’s to be expected. But overall, the scene just didn’t suit…
Category: Industrial Landscape
#353 – The Factory Photographs by David Lynch
It’s a while since I’ve seen anything by David Lynch, but I remember that he had a very odd way of seeing the world. Best known for films like Eraserhead, The Elephant Man and the weird Twin Peaks, he’s also had a number of solo art and photography exhibitions. His most recent exhibition and accompanying…
#352 – Cwm Bychan – Another Get Carter Landscape – 3
And so to finish off this short series, a few black and white images. After lugging my tripod several miles to allow me to do some exposure bracketing, I realised in post processing that it probably wasn’t necessary, there was adequate information in the correctly exposed raw file. But as I’d gone to the effort…
#351 – Cwm Bychan – Another Get Carter Landscape – 2
Warning – equipment discussion! A popular misconception is that an ultra wide angle lens is required for landscape photography, and while useful, it can often lead to hackneyed compositions and converging verticals. Used judiciously they are a useful tool, but not the only tool in the landscape photographers bag. I bought my Nikon 16-35…
#350 – Cwm Bychan – Another Get Carter Landscape -1
If you’ve seen the classic film Get Carter, then you’ll recall the closing scenes of the film when Jack, against the backdrop of a clanking colliery ropeway on the bleak Durham coast, gets his revenge on the gangster who killed his brother. Watch it here if you’ve not seen it – it’s a tad…
#349 – Bank Bottom Mill
Bank Bottom Mills in Marsden are a vast complex of mills that continued in production until 2003. On my brief visit in 2007, the mills appeared to be mothballed and still full of machinery, but still partially occupied. I did think they’d since been stripped, but having seen a number of reports on the…
#345 – Reworked Images 11 – Dinorwic
This is the same scene that I posted up a few posts back, albeit a few feet to the left and a few feet higher up. I’ve not made it as contrasty as the other one as I don’t think it needs it due to it being entirely monochrome. I’m not convinced about the cohesiveness…
#344 – Reworked Images 10 – The Gate
Oakwood mill is a complete ruin, quite why it’s been deemed worth keeping up rather than being demolished is beyond me, when some magnificent structures elsewhere have been flattened. I didn’t even bother looking for a way in, I took a few externals and moved on to look at other stuff in the area. I…
#343 – Reworked Images 9 – Jumbles Quarry Crane
Maybe it was because I visited the quarry with someone (I seem to produce better images alone, although the venerable Tarboat was excellent company) or whether the location itself was a challenge, but I didn’t come away with many images that really inspired me. I felt they made a good record of the place but…
#340 – Reworked Images 6 – Jumbles Quarry
This was an image I’d scratched my head with in colour. I just couldn’t do anything with it, and I didn’t think it worked well in monochrome, so even though I liked it and thought it had potential it never really went beyond basic adjustments. I’ve always thought it an intriguing image, but one that…
Mechanical Landscapes 