A panorama crop is ideal here – the scale of the place lends itself well to a wider aspect ratio, but join up panoramas are impossible due to being on a moving train! I must admit that I didn’t take many of these with a panorama in mind, but some just suited a panoramic crop….
Category: Black and White
#599 – The Art of the Panorama Part 3 – Mills and Mining
Unlike the steel industry with its vast landscapes, the mills and mines I’ve photographed are for the most part more compact, more upright. At one time when the cotton mills were the dominant features of the urban landscape of the northern mill town, it was possible to make panoramas of these dozens of mills and…
#598 – The Art of the Panorama Part 2 – Teesside
While there doesn’t appear to be a codified, internationally recognized ratio for what constitutes ratios for panoramic photographs, 2:1 or greater seems to be generally agreed. Personally, I go with whatever looks right and I’ve no idea what the ratios of the images in this post are, but if you don’t agree that they are…
#597 – The Art of the Panorama Part 1 – Joseph Koudelka’s Industries
I’ve recently purchased ‘Industries’ a most impressive book featuring monochrome industrial landscapes by the legendary Magnum photographer Josef Koudelka. Aside from the large format of the book and the unusual, calendar style wire binding, what is notable is that all the photos are in the panoramic format, having been shot on either a Fuji 617…
#596 – A Return to Hartford Mill 2
I took a photograph from the Metrolink station on my previous visit (below), but it wasn’t that good so I didn’t do anything with it . In fairness, it was a truly awful day with heavy rain and high winds making photography difficult as I was constantly wiping rain drops off the front element of…
#595 – A Return to Hartford Mill 1
I thought that Hartford Mill had been erased from the landscape in the weeks after my visit in February 2020, turns out it hadn’t. A contact of mine who lives about 5 minutes away from it had posted a picture similar to the above on Flickr later on in 2020, but I assumed that demolition…
#594 – A Refreshed Typology
So with the photograph of one of the Snibston headstocks available for inclusion, I took the opportunity to refresh the typology and add in Grove Rake and Magpie Mine that I’d not included before. Grove Rake I took back in 2016, long before this project was conceived and so isn’t optimal really, but until I…
#592 – Snibston Mine – Part 2
The reason I visited Snibston was to see if I could make some photographs for my ongoing typology project. As I mentioned in my previous post, I feared that as the site had closed, I would either have to jump a fence or shoot from the road. However, the site reopened in 2020, thus eliminating…
#591 – Snibston Mine – Part 1
My only previous visit to Snibston was in 2010 (here and here), I can’t recall the occasion but it was a rather nice setup, with the site of the colliery being nicely preserved with a modern museum and short heritage railway line featuring diesel and steam shunters hauling the ubiquitous BR Mk1 coach. It was…
#590 – New Zine published and on sale now!
Wrecked on the beach is my first zine, and is based on my ongoing wrecks project. OK, so ‘wrecks’ is a bit of a leap of the imagination, it’s more beached and derelict ships that I’ve photographed across the UK and abroad, but hey, let’s not split hairs eh? It’s 32 pages with a colour…
