Tag: Bury
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#509 – 500 Post Retrospective – More Railways
More from the East Lancs Railway, this time they are all from the works and yard at Buckley Wells in Bury. It’s not normally accessible unless you work there, but is sometimes open for group visits or for photographic night shoots which is where all these were taken. 60163 Tornado, 24th October 2010 70013 Oliver…
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#508 – 500 Post Retrospective – Railways
I don’t do as much railway photography as I used to (or would like to) due to other priorities, but this and the next couple of posts are a selection from the past ten years. Today’s were all taken on the East Lancs Railway – it maybe not one of the bigger or more prestigious heritage…
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#278 – East Lancs Railway Photo Locations 2 – Buckley Wells
The yard at Barron Street is one of my favourite spots on the line, but is not open to the public except on night shoots. The shed itself is the Victorian loco works of the original East Lancashire Railway Company, and is now the home of Ian Riley’s Engineering business as well as the East…
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#277 – East Lancs Railway Photo Locations 3 – Bury Bolton Street Station
Not being a station dweller, this is a place I tend to get on and off trains rather than take photos. The station itself is a pretty large affair, and has plenty of parking next door and across the road, even on busy events like Santa Specials. There’s also a buffet on the platform, and…
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#276 – East Lancs Railway Photo Locations 1 – Roch Viaduct
As I mentioned in the first installment, there are few decent photo opportunities on the Bury – Heywood line. Certainly, the ‘ski-jump’ over the Metrolink can give some spectacular exhausts, but the area in the immediate vicinity is uninspiring. This location is more pleasant. The line crosses a wide valley, going over a river and…
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#275 – East Lancashire Railway Photo Locations – Introduction
As a regular visitor to the East Lancashire Railway over the last ten years or so, I’ve got to know many of the best locations for lineside photography. Regular readers will be aware of my tendency to look for something beyond the standard ‘train in station’ photographs, and as quite a lot of the lineside…
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#226 – People In Railway Photography Revisited – Part 2
As I wasn’t using the optimal lens for the job, cropping played an important part of post processing., and this is where having a reasonably high megapixel count comes in handy. Now I’ve never subscribed to the theory that you should get it right in camera and never crop – it’s a laudable idea, but…
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#81 – White Balance Nightmare!!
I’d only had the camera a few weeks when I took this, so I suppose that’s my excuse for not fathoming out how to take a manual white balance for this scene. In actual fact, i struggle the whole night with the sodium vapour lighting, but for the most part I was able to correct it in…
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#67 – Colour? Or black and white?
I took this late on a February afternoon, with the sun low in the sky on the other side of the bridge. Clouds kept partially obscuring it, but I kept getting some terrific light on the railway arches, but no train! It finally arrived (on time), and I got this image. I must admit that…
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#65 – over-reliance on technology?
Stabilised lenses (VR in the case of the Nikon system that I use) are a fantastic innovation that has allowed me to take photos in circumstances that would be impossible with a normal lenses. However, I learnt an important (but cringingly obvious) lesson the other night – by and large, they work best when the…
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#64 – Guesswork / bulb mode
Sometimes, you run out of pre-set exposure times on your camera and you have to resort to the ‘guess’ mode, AKA Bulb. This particular scene was tricky as the big floodlight in the background kept being turned on and off, which made exposure a pain. After several tests, I ended up thinking f*ck it, counted to…
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#8 – ARCHIVE MARCH 2009: Nikon D700 and Low Light Steam Railway Photography
One of the prime reasons I bought the D700 was it’s incredible high ISO / low light ability, matched only by the D3, with which it shares the sensor. At low ISO it’s extremely good, with pretty much no noise visible, and my first shots for the night were at low ISO’s with pretty long…
Mechanical Landscapes 